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Multi-strand Bracelet
by Dwyn Tomlinson
Skill level: Intermediate. Multiple strands of thread can be tricky to manage.
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I recently came across some lovely production-made Chinese lampwork focal beads. The pretty color inspired me to grab some handfuls of other colors and the next thing you know, an idea was born! Select your focal bead first, and let it drive your color choices. There is nothing complicated about this one - the focal bead is transparent ruby-red and topaz (amber colored) over silver foil. To accent it, I chose some corner-drilled pressed glass cubes in the exact same colors, and some seed beads in the same red. Instead of topaz seed beads, I went with 3 shades of gold, as the topaz part of the leaf with the silver foil in it more closely resembles gold. This also uses a "mix" of seed beads, blended together and strung randomly - one of my favorite methods of using seed beads. Making a mix is easy - but you will have more than you need - you might want to consider purchasing a pre-made mix if your bead-shop carries them.
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Supplies
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Tools
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![]() Ready to begin? |
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You are going to start by blending the seed beads together in a random mix. This is a lot of fun!
Of course, if you buy your seed beads in small vials, you can just pour them into a bowl.
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Cut the hank of seed beads in the center of the loop into the middle of the mixing bowl. A white or neutral bowl is better for accurately viewing the colors.
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Slide the beads off the strands into the bowl
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Oddly enough, they don't all fall off and you need to encourage them |
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That's the first one done. |
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Do the same for the rest of the colors |
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| Mix by stirring with your fingers. This is a real "oooh" moment - they look wonderful and stirring them is fun. I can't explain this. Everyone should do it at least once in their life. ;-) | |
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Take one piece of thread about 1 yard (or metre) long. "Iron" your thread by drawing it taunt across a hot light bulb - this will smooth the thread and take the curls out of it. Thread onto a needle. String 2 inches, approx. 26 beads (in size 11/0) and move to the center of the thread. The seed beads are easier to thread if you put them into a hard, shallow dish, so you can scoop in with the needle and get a bunch at a time. |
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Add the focal bead and slide to the center. The seed beads will pass right though it. |
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Now, working up each side of the necklace, to the left and right of the focal bead, add on each side. (I usually use two needles, one on each side, and do a bit of the one side, and then the other, so I can see how the design is progressing. 3 x cubes, in red, amber, red |
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| Then add the 2 inches/approx. 26 seedbeads on both sides | |
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Now add 3 more cubes, reversing the color order from last time (to keep it interesting) 3 x cubes: amber, red, amber (reverse of last time) |
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Again, add 2 inches/approx. 26 beads add single accent bead - red - I chose red as the slightly more dominating color for the accent beads, as I had three times as many gold seed beads as red ones, so I was looking to balance the effect. |
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Continue to add 2 inches/ approx. 26 random seedbeads, and 1 accent bead, and repeat to desired length - I was wanted 20 inches long, so I did 3 repetitions on each side in total. |
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Adjust to the correct length with few beads after the last accent bead. Don't forget to include the length of the clasp when calculating the overall length of the necklace. (Total length - length of clasp) / 2 = length of each side. 20 inches minus 1.5 inch clasp divided by 2 = 9.25 inches on each side of the necklace. |
Note: When you have a large, glass focal bead like this that could be broken if you bang it on something, you need to ensure that it does not hang long enough to swing forward and strike something. In particular, pulling yourself up to the table for dinner, causing the necklace to swing forward and strike the edge of the table is a problem. (Really, about the only problem, but really annoying if you do it.) The solution is to keep the necklace short enough to clear the table, or to only eat standing up. |
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Now, thread the second piece of thread, again, 1 yard long, and do the whole thing again! Tape the thread ends down to your work surface with removable tape or masking tape so that you don't have the beads come flying off as you add the second strand. Start with 2 inches of seed beads, thread through focal bead. (Again, I put a needle on each end of the thread and work both sides of the necklace at once.) Thread through the accent beads, and then thread more seed beads, then thread through the accent beads. This gathers and collects the strands and keep them contained and unified. |
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| The number of seed beads can vary a little, to give a richer and more textured look. | |
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For the last few beads, after the last accent bead, don't string multiple strands, but thread through the seed beads instead. This makes for a cleaner, tidier finish at the clasp. |
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Repeat with the third strand. Tape down the first and second strands and repeat. |
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And a fourth strand. Getting all four strands through the final few beads may be a challenge, but should be possible. |
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| Trim the ends of the thread even if necessary, but NOT short. | |
| Add a clamshell tip | |
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Now add a metal bead on two of the four threads. You can use a seed bead for this, as it does not show, but I like to use a metal bead so that if I accidentally crush it in the clamshell tip, it doesn't break. |
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| Snug the beads up and remove spaces between the beads | |
| Knot the thread around the metal bead | |
| tie a surgeon's knot | |
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Seal the knot with glue. I put a bit of plastic under the knot to prevent glue from getting on the beading mat by accident. I like to use the "Hypo-tube" cement - as it's needle-like applicator makes it very easy to accurately place the glue. |
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| Close the clamshell tip | |
| Trim the thread ends off. | |
| Attach the clasp - hook the clamshell tip onto clasp | |
| and close the loop with your pliers. You may need to use the round nose pliers to make the loop close smoothly. | |
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Repeat for the other side, add the clamshell tip, knot, close, and add the other half of the clasp. |
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| And you're done. This simple pattern can be varied nearly endlessly by changing the colors, the focal bead, the accent beads, the type of seed beads, etc. | |
Copyright 2005 Dwyn Tomlinson, All Rights Reserved. Used with permission by the Beading Times.
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