Archived Featured Bead Artists
Ania Karolina Kyte,
Amy Waldman Engel,
Barrie Edwards,
Jodi Lindsey,
Rebecca Voris,
Karen Elmquist,
Allison Turner,
Debbie Dimoff,
Margaret Zinser,
Slava Popov,
Faith Davis Ferris,
Helen Harvest,
Dwyn Tomlinson,
Kristy Naray,
Connie Paul,
Rosemary Tottosy,
Jennifer Gurganux,
Jinx Garza,
Nikki Lynn Carollo,
Cathy Lybarger,
NLM Glass Artists,
Linda James,
Kandice Seeber,
Jocelyn Pappadakis

by: Dwyn Tomlinson
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Beading Times: How
long have you been making beads?
Beading Times: What
got you started making beads? |
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Beading Times: Were
you interested in making beads before that?
Anne Ricketts: Yes,
I used beads in my jewelry designs and accents on small quilted items and clothing.
Beading Times: Did
you take a class?
Anne Ricketts: My
first class was a Christmas present from my family in December 2001. Molly Heynis
from Heritage Glass was teaching at Laguna Gloria Art museum in Austin.
Beading Times: What
has surprised you most about working with glass?
Anne Ricketts: How
mesmerizing it is to work with it! It really relaxes me when I'm working!
Beading Times: Have
you had anyone that you consider to be a mentor? Tell me about them.
Anne Ricketts: Well
I really don't have just one person that I would consider my mentor. I've been
mainly self-taught through the wonderful forums of Wet Canvas and ISGB so I
guess you could say they are my mentors!
Beading Times: Whose
beads inspire you the most?
Anne Ricketts: I
have so many favorite beadmakers that the list is just too long!
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Beading Times: Do
you sell your beads?
Beading Times: Do
you make beads for friends?
Beading Times: What
does your family think of your beadmaking? |
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Beading Times: What
sort of set up do you have for making beads? (Type of torch, gas, kiln, etc.)
Anne Ricketts: I
use a Bobcat torch (love it!) that uses a propane/oxygen mix and I use an oxygen
concentrator. The kiln I have is a Skutt GM10F with a bead door.
Beading Times: What
type of glass do you use?
Anne Ricketts: I
use mainly Moretti but I do have some Lauscha and Vetrofond also.

Beading Times: Do
you have a favorite product, i.e. bead release, glass, etc.
Anne Ricketts: I
started out using Fusion and I've switched over to Fosterfire. I love both of
these! I like Dip and Etch (liquid) also for etching my beads. I don't think
I can live without my CBS stamps and Zoozii presses!

Beading Times: Do
you have a favorite technique?
Anne Ricketts: Well
I love making scrolls and they are great practice for stringer control! LOL!
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Beading Times: Are
you a "set person" or a "focal bead" person? Anne Ricketts: I'm definitely a set person. I love focals but I seem to do better with sets! I guess too many designs in my head for just one bead! LOL! |
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Beading Times: Have
you developed a "signature" bead, a unique type of bead that
is recognizably yours. Tell us about it, how you developed it, etc.
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Beading Times: What
was your biggest obstacle to overcome?
Anne Ricketts: Getting
over the fear of lighting the torch! I'm over that now!
Beading Times: What
is the hardest kind of bead to make for you?
Anne Ricketts: Bicones
and encased florals still elude me!
Beading Times: The
easiest?
Anne Ricketts: The
easiest for me are just basic designs of dots, lines, squiggles, etc.

Beading Times: What
is your favorite kind of bead or technique?
Anne Ricketts: Gosh,
I have to pick a favorite?! I love just about all types of beads no matter what
the technique!
Beading Times: Do
you still have the first beads you made? What do you think of them now?
Anne Ricketts: Yes,
they are hanging on the wall over my worktable. When I want a good laugh I just
have to look up!
Beading Times: How
have your beads changed? Since you started or over the years?
Anne Ricketts: My
beads have gotten smaller in size since I first started and definetly more detailed
over the years.

Beading Times: What
was your scariest beadmaking experience?
Anne Ricketts: It
was when I was working on my Hothead torch and a fire ignited where it attached
at the hose! Scared me half to death! Of course it always scares me when hot
glass goes flying in my lap also!
Beading Times: Have
you had any "glass epiphanies" while working - some revelation or
understanding? What were they?
Anne Ricketts:
Pulling stringer, when I first started making stringer I was keeping the rod
in the flame and trying to pull from that. Well I got wonky stringers doing
it that way so I took the rod out of the flame at one point and noticed when
I started pulling the end of the rod with the pliers, the stringers were straight!
I was so happy that day!

Beading Times: Do
you have a technique or method or tip to share?
Anne Ricketts: Something
that I think helps me is using a black tile on the table in front of the torch.
It helps you be able to see the flame better!
Beading Times: Have
you "invented" any new tools, or recycled something that wouldn't
ordinarily be thought of as a tool for lampworking?
Anne Ricketts: I
haven't but there are so many people that have come up with great ideas so kudos
to them!!
Beading Times: Could
you share with us some pictures of your studio set up?
Anne Ricketts: In
the picture I'm sure people will have some questions about some things on my
table, first off the extension on the front of my table is called a Creation
Station, made by Bill and Vicki Harrison (Vicki's Front Porch or vglampwork
on Ebay). It is a really great item that has helped with my hand control considerably!
The next thing that you might be wondering about is the "rod warmer"
in the top corner of my table. It is actually a ceramic hair iron warmer that
keeps the iron warm in between uses but it works great as a rod warmer! That
tip came from Wet Canvas!

Beading Times: What
about photographing your beads - what do you use to get your pictures?
Anne Ricketts: I
use a halogen lamp and put the beads on white paper and the camera I use is
a Nikon Coolpix 5200 . I use Microsoft Picture It to lighten and sharpen my
pictures if they need it.
Beading Times: Do
you have a website or auction site that you regularly sell your beads on?
Anne Ricketts: I
sell my beads on Ebay (user id is aricketts)
and my website is www.amrglassworks.net.
Beading Times: Do
you sell at shows or in stores or other venues? Do you sell the beads by themselves,
or already made up into jewelry?
Anne Ricketts: I haven't done a show yet
but I do have some focal beads in my friends' Jim and
Rose Berry's shop. They own Bluemoon Glassworks in Austin, TX. That is also
the place where the Austin Fireflies meet each month.
Beading Times: Where
do you see yourself going with lampworking/glassworking in the future? Or, where
do you see it taking you?
Anne Ricketts: I
hope to be teaching in the very near future! I've had some interest from people
that would like to learn some of the techniques that I do. I do teach one-on-one
classes in my home now but I would love to travel and teach when the opportunity
comes up!
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Beading Times: Do
you have a favorite bead, a "best bead." Can you share a photograph
with us?
Anne Ricketts: This
is the chintz set that is my favorite!! LOL!!

Beading Times is pleased to present a monthly article spotlighting a lampwork bead artist. If you, or someone you know is interested in being featured, please contact dwyn@beadingtimes.com.
Copyright 2005 Dwyn Tomlinson. Photos by and copyright by the interviewee, unless stated otherwise.